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	<title>Comments on: Submerged connections</title>
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	<link>http://www.streetfetish.com/2009/06/07/submerged-connections/</link>
	<description>current theme: the unexpected</description>
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		<title>By: Ruud Vonk</title>
		<link>http://www.streetfetish.com/2009/06/07/submerged-connections/comment-page-1/#comment-46</link>
		<dc:creator>Ruud Vonk</dc:creator>
		<pubDate>Sun, 07 Jun 2009 19:27:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.streetfetish.com/?p=186#comment-46</guid>
		<description>Nice shot and like the way you are discovering al the possibilities with your camera and your own creativity. When I have to give feedback I would say the walking people are a little to much ghost like in my opinion. The vignetting in the left bottom corner is disturbing me also. 
Besides that, great shot!!</description>
		<content:encoded><![CDATA[<p>Nice shot and like the way you are discovering al the possibilities with your camera and your own creativity. When I have to give feedback I would say the walking people are a little to much ghost like in my opinion. The vignetting in the left bottom corner is disturbing me also.<br />
Besides that, great shot!!</p>
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		<title>By: Fokke Lingeman</title>
		<link>http://www.streetfetish.com/2009/06/07/submerged-connections/comment-page-1/#comment-45</link>
		<dc:creator>Fokke Lingeman</dc:creator>
		<pubDate>Sun, 07 Jun 2009 14:46:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.streetfetish.com/?p=186#comment-45</guid>
		<description>I needed to simply plug in the &lt;a href=&quot;http://www.warehouseexpress.com/webcontent/product_images/large/214/1029368.jpg&quot; rel=&quot;nofollow&quot;&gt;IR receiver&lt;/a&gt; in a small socket on the front of the camera body. It comes with a remote that works up to 100meters. (Not that you ever want to be that far away from your camera).

For this shot I used my tripod. For multiple exposures to work for this shot, the camera needs to be in exactly the same spot when the exposures are done. If I would use the self-release-timer, I would certainly move the camera a tiny bit when pressing the on-camera release. So this is where the remote comes in handy.

If your camera doesn&#039;t have this function you can of course imitate the effect by layering 2 or more photos in Photoshop. ;)</description>
		<content:encoded><![CDATA[<p>I needed to simply plug in the <a href="http://www.warehouseexpress.com/webcontent/product_images/large/214/1029368.jpg" rel="nofollow">IR receiver</a> in a small socket on the front of the camera body. It comes with a remote that works up to 100meters. (Not that you ever want to be that far away from your camera).</p>
<p>For this shot I used my tripod. For multiple exposures to work for this shot, the camera needs to be in exactly the same spot when the exposures are done. If I would use the self-release-timer, I would certainly move the camera a tiny bit when pressing the on-camera release. So this is where the remote comes in handy.</p>
<p>If your camera doesn&#8217;t have this function you can of course imitate the effect by layering 2 or more photos in Photoshop. ;)</p>
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	<item>
		<title>By: Jurian van der Have</title>
		<link>http://www.streetfetish.com/2009/06/07/submerged-connections/comment-page-1/#comment-44</link>
		<dc:creator>Jurian van der Have</dc:creator>
		<pubDate>Sun, 07 Jun 2009 14:27:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.streetfetish.com/?p=186#comment-44</guid>
		<description>Cool shot, spooky also. How does the remote work and does it have an advantage in this shot? Multi-exposure is something I definitely miss on my camera when I see this result!</description>
		<content:encoded><![CDATA[<p>Cool shot, spooky also. How does the remote work and does it have an advantage in this shot? Multi-exposure is something I definitely miss on my camera when I see this result!</p>
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